Deep Cuts is the space we’ll use to tell true stories about music.

Artists, industry players, legends and half-legends that help put what we’re building here in context and show how this ecosystem really works, behind the scenes, flaws and all.

Not to worship them, but to learn what we can steal from their journey, what to copy, what to avoid, what to challenge. Because music is never just songs — it’s people, intuition, mistakes, gut calls made at the right moment, with the courage to look foolish.

Above all, it’s made of stories, and that’s the magic of this industry. Stories of people who made it from nothing, street kids turned moguls, insane lucky breaks, painful failures and scams, sliding door moments that changed everything.

Stories of guts, timing, and that elusive spark we call gut feeling.

Today we kick off with a name that divides opinions, just the way I like it. Let’s dive

Scooter Braun: the (true) story of how an ordinary guy changed pop music with a click

Let’s do a quick experiment.

Picture someone who can’t play an instrument, can’t sing, can’t read music, has zero insider friends at a major label, no legendary producer dad, and has never set foot in a professional recording studio.

Now picture that person discovering Justin Bieber.

Got it? Good. You’ve just pictured Scooter Braun, one of the most powerful and polarizing managers in modern pop, whose life story feels like the punk version of the American Dream, with a bit of YouTube, a heavy dose of nerve, and a sixth sense for spotting other people’s talent.

Who is Scooter Braun and why should you care?

Scooter, born Scott Samuel Braun, grew up in New York in 1981, the son of Hungarian Jewish immigrants who fled the Holocaust. He grew up like any other kid with dreams too big for the neighborhood he called home. No music background, no conservatory training. At school, he was better at throwing parties than playing guitar. And that’s exactly where it all began.

During college, he organized events — small parties that turned into packed nights, pulling bigger crowds and catching the eye of bigger names. He was sharp, charismatic, and had a nose for what people wanted before they even knew they wanted it. By twenty, he got hired by Jermaine Dupri’s So So Def, an Atlanta hip hop powerhouse, to handle marketing and artist events.

Scooter’s real gift? He knows where attention is headed, long before the rest of the room figures it out. But his true turning point came when he quit the safety net and bet everything on his own gut.

The YouTube moment everyone talks about

It was 2007. YouTube was not the entertainment giant it is today. No mega influencers, no endless unboxings, no fake reactions. Just grainy clips of cats, skate tricks, and kids singing covers from their bedrooms.

Scooter was deep in this chaos, searching for something raw he could turn into something real. Then he stopped scrolling. There he was: a twelve-year-old Canadian kid, clean voice, sweet smile, iconic bowl cut. Name? Justin. Last name? Bieber.

Scooter did what true digital hunters do. He didn’t scroll on. He locked in. He found the kid’s mom, called her, convinced her to fly him to Atlanta for an audition. That’s how one of pop’s most valuable partnerships was born.

With no big plan, no market research, no fancy studio sessions. Just a sharp eye, a gut feeling, and a half-decent internet connection.

So what’s his real superpower?

It’s not singing, it’s not producing beats. It’s human instinct.

Scooter was never an artist himself. Yet he found, backed, and guided artists who shaped an entire era: Ariana Grande, The Kid LAROI, Tori Kelly, Carly Rae Jepsen, Demi Lovato. How did he pull it off?

With traits no music school can teach:

Instinct, he saw before anyone else that YouTube would become the world’s biggest stage. While traditional A&Rs checked record store sales, he checked view counts.

Empathy, he builds real trust. A manager, yes, but also a mentor, a big brother, an emergency therapist. He knows when to step in and when to back off.

Courage, he bets big where others freeze. Betting it all on a no-name Canadian kid? Done. And done right.

Curiosity, he didn’t know how to produce tracks or run promo campaigns, so he learned on the job. His classroom was the street.

And yes, you can’t skip the controversy. In 2019, Scooter bought Big Machine Records, the label that owned the master recordings of Taylor Swift’s first six albums. Taylor found out after the deal was done. She was furious, accusing him of cutting her out. It turned into one of pop’s biggest copyright feuds — public tweets, heated interviews, and the famous re-recorded albums (Taylor’s Version). Scooter eventually sold the masters to an investment fund. Taylor flipped the script, re-recorded her work, regained control, and taught the entire industry a lesson on artist power.

It’s a huge chapter, but not the main point here. The point is this: a guy with zero musical skills changed pop music forever, armed only with timing, instinct, and the nerve to trust both.

No music chops? No problem.

Scooter proves you don’t need to play guitar to make a dent in music. You need to read people. Listen between the lines. Spot raw potential where everyone else sees a mess.

He never had a bulletproof plan. What he did have was an unshakable belief: talent can be spotted, even if you can’t create it yourself.

That’s powerful. It opens the door for everyone who can’t write songs but can sniff out magic. For anyone scrolling TikTok at 2 AM thinking, “This kid has something.” For anyone standing in the back of a half-empty bar gig, seeing a spark nobody else sees yet.

The hardest part of scouting isn’t finding a polished star. It’s seeing something that isn’t real yet. When Scooter found Justin, he wasn’t Justin Bieber. He was just some kid online. No guarantee, no contract. Just a gut call.

Scouting means betting when everyone laughs at you. It’s faith and logic mixed together. It takes time, patience, guts, and a weird thrill for helping someone grow into something bigger than themselves.

The best scouts aren’t the ones with perfect resumes. They’re the ones who love the hunt, who find joy in lifting someone out of obscurity, just like Braun did.

We’re all a bit Scooter Braun (if we want to be)

Today it’s not just easier — it’s wide open. You can spot tomorrow’s star on TikTok at 2 AM, or buried in an Instagram Reel, or hidden in a messy YouTube Short nobody else notices yet. You can help them break through with a share, a comment, a clip, a remix. You can amplify what you believe in, not just watch from the sidelines.

No gatekeepers. Just sharp eyes, tuned ears, and the guts to back your instinct.

Scooter’s story proves one thing: you don’t need the keys to the kingdom — you can build the door yourself, brick by brick, and these days, you don’t have to build it alone.

Next time you stumble across a rough clip on TikTok, a raw bedroom demo deep in Reels, or a kid whispering into a cheap mic on YouTube Shorts, ask yourself, “Am I seeing something no one else has spotted yet?” If the answer is yes, don’t just scroll past it. Jump in. Support it. Share it. Grow it. Claim it.

Because now, even if you can’t play a single note, you can still help shape what comes next. Just like Scooter did — only this time, together.

🎧 TRACK(S) OF THE WEEK

What’s been spinning while building, dreaming, or burning it all down. Join my playlist — and send me your favorite track. I’ll feature one next week with a proper shoutout.

🔗 OFFLINKS

Some of my favorite content I found on the internet this week. No fluff, no algorithms — just stuff that made me think, move, or scream:

The label is dead. Long live the startup. This piece nails how new VCs are backing artists like founders — not products. Worth a skim if you care about music’s next funding model.
Read on Inc →

MrBeast is not a YouTuber. He’s a blueprint. This breakdown shows how to scale audience-driven products disguised as content. Music founders, take notes.
Watch on YouTube →

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